Where Love Has Gone [VHS]

Where Love Has Gone [VHS]
by Edward Dmytryk

Where Love Has Gone [VHS]

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Product details

Actor: Bette Davis, Jane Greer, Joey Heatherton, Mike Connors, Susan Hayward
Director: Edward Dmytryk
Cinematographer: Joseph MacDonald
Editor: Frank Bracht
Producer: Joseph E. Levine
Writer: Harold Robbins
Writer: John Michael Hayes
Edition: VHS Tape
Audio: English (Original Language), Analog
Format: Closed-captioned, Color, NTSC
Running Time: 111 minutes
Release Date: 1998-01-01
Audience Rating: NR (Not Rated)
Publisher: Paramount
Studio: Paramount

VHS Movie Reviews of Where Love Has Gone [VHS]

Movie Review: A CLASSY CAST IN A FUN 60'S MOVIE....A SUSAN HAYWARD FESTIVAL..
Summary: 5 Stars

WHERE LOVE HAS GONE TRANSPORTS US ALL BACK TO THE HOLLYWOOD OF THE 1960'S. IT FEATURES BRIGHT, COLORFUL, FUN PERFORMANCES FROM SUSAN HAYWARD, BETTE DAVIS, MICHAEL (LATER MIKE) CONNORS AND JOEY HEATHERTON. IT IS JUST SO MUCH FUN TO WATCH THAT NO MATTER HOW MANY TIMES IT IS SEEN IT ALWAYS ENTERTAINS ANY DAY OR NIGHT. THEY JUST DON'T MAKE FUN ENTERTAINMENT LIKE THIS ANYMORE AND THAT IS QUITE A LOSS. MY HOPE IS THAT PARAMOUNT WILL SOON SEE FIT TO RELEASE WHERE LOVE HAS GONE ON DVD. IT NEEDS TO BE SEEN IN ITS ORIGINAL "TECHNISCOPE" RELEASE AND POSSIBLY STEREO SOUND. PLEASE PARAMOUNT RELEASE WHERE LOVE HAS GONE ON DVD AND LET SUSAN, BETTE AND JOEY ENTERTAIN THE WORLD.........BOY DO WE NEED IT NOW...........A FOREVER SUSAN HAYWARD FAN.........GARY JASINKONIS....EAST NORTHPORT, NEW YORK...........I HAVE SEEN WHERE LOVE HAS GONE COUNTLESS TIMES AND CAN'T WAIT UNTIL NEXT TIME..............

Movie Review: 1964 Bette Davis, Susan Hayward, Mike Connors & Joey Heatherton
Summary: 5 Stars

Mrs. Geraldine Hayden (Bette Davis) is the epitome of a domineering wealthy matriarch of her family: middle-age adult daughter, sculptress, Valerie Hayden Miller (Susan Hayward); 15yo. granddaughter, Danielle (Danny) Valerie Hayden (Joey Heatherton); son-in-law, war hero, Major Luke Miller (Mike Connors).

After her teenage granddaughter, Danny, is arrested for stabbing to death her daughter Valerie's (Hayward's) most recent lover, Mrs. Hayden's (Davis') unsuccessful, drunkard ex-son-in-law, Luke (Connors), reflects back upon his failed marriage to Danny's successful sculptress mother. Stereotypical of the neo-psychoanalytical 1960's, this Harold Robbins story follows Luke's trend of introspective thoughts through the thread of events that built up to the family's tragedy. Thus, although the story is primarily about three women's relationships, it's written by a man & conveyed through the perspective of a man who believed being successful was being the bread-winner of "his" family. The generation & social contexts of gender bias in this story's slip is showing.

By now, it's no secret that these sorted details were based, by Robbins, as a fiction, upon the real-life story of the murder of Johnny Stompanato. That name might not ring a bell to those younger than me. Nor would the so called "Cheryl Crane murder scandal."

Six years prior to Robbins' 'novel' being played out as a script, Hollywood's own lady with the legendary legs that were insured by Lloyd's of London, Lana Turner, lived out her daughter Cheryl's arrest for stabbing to death Turner's lover (Stompanato). The deadly deed was done in the bedroom of Lana Turner's Beverly Hills mansion.

Even though Mrs. Geraldine Hayden becomes Robbins' victim of yet another 60's psychoanalytic stereotype, mother blame, Bette Davis easily commands the lead even though it was meant for Susan Hayward's character. Davis starred in 2 other major motion pictures in the same year, 1964: "Dead Ringer" & "Hush, Hush Sweet Charlotte." Both were terrific achievememts. Davis kept making films until the year of her death at the age of 81 (1989). She also never stopped making major public television appearances. Davis said she wouldn't quit working 'as long as she still had high heels & a makeup case'. Lucky for us she kept her word.

Even though the script was lousy & Hayward verbally assaulted Davis on the set, Davis managed to salvage the movie with her professional prowess. In the final filming, Davis' matriarch came out as she lobbied director Edward Dmytryk for her to be. Davis also tried to arrange a meeting with Hayward to reconcile their differences; but, Hayward wouldn't have it.

Since Hayward was only 9 years younger than Davis, she was in the position of trying to be a character younger than she actually was. Hayward only made 3 motion pictures after this one, dying of brain cancer at the age of 57yo., in 1975.

Davis went on to make 14 more motion pictures; 28 made for television movies; made at least 41 other major public and/or television appearances, & has since appeared in at least 47 well-known archived footage presentations.

The character of Mrs. Geraldine Hayden, as performed by Bette Davis in 1964, is an important one to remember because it represents how psychoanalytic stereotypes influenced her contemporary peers in US society & cultural era. The archetype of a wealthy, caucasian, widowed, domineering matriarch was (ab)used by Western societies as a way to scapegoat strong women for everything that went wrong with the next generation. To date, there's no convenient male equivalent such as father-blame, unwed-father or prostitute-solicitor.

Movie Review: Fabulous, Fabulous Melodrama
Summary: 5 Stars

If you are looking for a rainy day, Hollywood melodrama with more than a touch of camp, you can't go wrong with this movie.

Bette Davis is wonderful as the domineering socialite mother for whom family name is everything but the actual lives of her family (and everyone else) are dispensable. Bette Davis delivers a priceless scene in which her character gives her daughter and son-in-law a painting of herself whose "eyes seem to follow you wherever you go". It is a moment that is both charming and appalling and done with superb style. No other actress in the American pantheon could have pulled it off so effortlessly.

I agree with other reviewers that Joey Heatherton is miscast, as is Susan Hayward, both of whom do not have the breeding to come from an old California family. The trashiness of their characters' lives, however, does give the melodrama a joyous effect.

Also, take note of the movie's super opening with Jack Jones' song and its lush camera shots of San Francisco.

Movie Review: one of susan hayward's best
Summary: 4 Stars

i agree with the other reviewers. this has always been one of my favorites.
it really needs to be put on dvd

Movie Review: Screen Queens Davis And Hayward Lock Horns In Controversial Glamour Soap Opera
Summary: 4 Stars

1964's "Where Love Has Gone", based on the sensational Harold Robbins trash novel of the same name can be seen as one of the last real occasions when women in leading roles were allowed to emote to their heart's content in glossy soap operas on the big screen. Big budget, glossy glamour flicks were fast becoming a rarity for veteran actresses by the mid 60's and this film makes for an interesting time capsule of what real glamour on screen was all about. In a double casting coup drama queens Bette Davis and Susan Hayward, playing a deeply troubled mother and daughter team were guaranteed to set sparks off each other on screen and that is exactly what happened with the two clashing repeatedly both behind and in front of the cameras. Indeed for Bette Davis "Where Love Has Gone", could be easily referred to as "Round Two", in the bad publicity stakes as she had only two years earlier repeatedly made headlines for all the wrong reasons when "working", with long time rival Joan Crawford in 1962's "Whatever Happened to Baby Jane?". Despite the troubled set and intense rivalry of the two leading ladies, I believe the end product here on screen was worth all the headaches for those involved. With the glamour and the camp appeal piled on for viewers to relish "Where Love Has Gone", makes great viewing from the closing era of the glossy "women's picture". Having only just seen this film for the first time courtesy of a dear friend, I believe it more than lives up to its scandalous reputation and trashy source material to be hugely entertaining and a visual feast for the eyes. Hollywood most definately doesn't make glossy soap operas with stylish performers like Davis and Hayward anymore more's the pity which makes films such as "Where Love Has Gone", precious relics of a long gone era of filmmaking.

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