The White Balloon [VHS]

The White Balloon [VHS]
by Jafar Panahi

The White Balloon [VHS]
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Product details

Actor: Aida Mohammadkhani, Anna Borkowska, Fereshteh Sadre Orafaiy, Mohammad Shahani, Mohsen Kafili
Director: Jafar Panahi
Cinematographer: Farzad Jadat
Editor: Jafar Panahi
Writer: Jafar Panahi
Producer: Foad Nour
Producer: Kurosh Mazkouri
Writer: Abbas Kiarostami
Writer: Parviz Shahbazi
Edition: VHS Tape
Audio: English (Subtitled); Persian (Original Language), Analog
Format: Color, Letterboxed, NTSC, Widescreen
Running Time: 85 minutes
Release Date: 1997-07-29
Audience Rating: Unrated
Publisher: Evergreen Ent
Studio: Evergreen Ent

VHS Movie Reviews of The White Balloon [VHS]

Movie Review: An allegorical tale
Summary: 5 Stars

Maybe I got it wrong, but I saw the story as an allegory about modern Iran - represented by the little girl who wanted to keep in touch with this tradition of having a new goldfish for nouruz. The people that she met on her journey I saw as representing aspects of government, or philosophies of government. The soldier could represent the military option that some countries adopt, the Sufi could stand for some charismatic knid of Islam, etc.
I understood the film to be an exposition, to the established order in Iran and to the world, that Iranians must find their own way to decide who they are now, in the 21st century. Not a puppet state to the US, nor a revolutionary Islamic state. Something better, I hope.
Regrettably, such observations must be made as obtuse as possible, so no-one has to go to prison for criticising the powers that be.
Or maybe I got it all wrong. Maybe it's just a boring story about a spoiled little girl.

Movie Review: A high level film!
Summary: 5 Stars


Through this curiously simple story, Abbas Kiarostami displays a breathtaking exploration around the social body of the Iranian nation, about a seven years old girl who, in the eve of the New year- 1374 according the Iranian calendar- in her desire to buy a goldfish, loses her money on the way.

Meanwhile, two dervishes, a gentle old lady, a distracted tailor, a talkative soldier, her brother and an afghan refugee will accompany her in order to help and comfort her, around that unpleasant fact. Apparently, it's a comedy, but there is a lot of nestled issues around, becoming a true beautiful story loaded of peerless humanity.

The main highlight is the overwhelming natural performance of this actress Aida Mohammadkhani who really stole the show all the way. After you watch it, you will agree with the fact this movie deserved Camera d' or in Cannes 1995.

It's absolutely incredible how this film has not been translated into DVD format.

Movie Review: Deceptively simple story-telling at its best
Summary: 5 Stars

Simply put, determined seven-year-old girls are one of the constants of the universe, and little Razieh is an excellent example of this. While not exactly spoiled, she is nonetheless sheltered from some of tense dynamics within her family --- and unfortunately, a stressed out mother and a father prone to violent outbursts also are far too easy for people across the world to relate to.

For Razieh, it is all pretty simple --- the quest for the extra-chubby goldfish, and dealing with the twists and turns of achieving her goal. Every child has been a situation like this, and for those of us who can remember how it felt, this movie is a fascinating and deceptively simple tale.

The world can be a pretty scary place for a seven-year-old, and this movie brings that home quite powerfully. One feels especially the ominous presence of a not particularly benign government. in the form of an intimidating military presence.

The movie's success rests on the ability of the girl playing Razieh to deliver her lines while retaining that natural little girl quality. This she does magnificently. She is irresistably cute (and knows it) but also can be a real pain in the ass when she doesn't get what she wants. She is also overwhelmed by the world outside, but has enough resourcefulness to stick up for herself when she is being dealt with unfairly (as with the snake charmer).

She also conveys the power of loss, and reminds the viewer that just because an adult may regard something as trivial, it is nonetheless very real and very devastating to a child, and that the despair of loss for the child is as real as anything an adult might experience. The moment when Razieh is at the pet shop and realizes that she has lost her bank note --- where she realizes that she is really screwed and also in big big trouble --- is as moving a scene in the cinema as I have seen.

Some viewers may find life as it actually happens to be pretty boring cinema, and I suppose in the wrong hands it could be extremely boring, but not in this case. This has remained one of my favorite foreign films of all times. I look forward to my not-quite one-year-old daughter reaching Razieh's age, so that I can begin to appreciate the similarities. I sure she will drive me crazy just like Razieh would.


Movie Review: Boring
Summary: 1 Stars

Boring. The whining little girl was just plain annoying.

Other Iranian directors have been successful in getting around the censors while telling an interesting story. This director has failed. People who insist on seeing this film as artistic are trying too hard.


Movie Review: Charmingly simple
Summary: 4 Stars

I have become quite fond of Iranian films--many of them, like "The White Balloon", are charming and simply told, portraying real life without much of a plot or any special effects. It is interestingly done in real time.

Children seem to be the focus of many of these films, as they are in this one. The little girl was so appealing, despite her whining and pouting, that and I found myself aching for her when she lost her money and was trying to find it.

A good, slow-paced movie...glad I saw it.

Summary of The White Balloon [VHS]

In the mid-to-late 1990s, Iran began to be recognized as a refreshing source of low-budget, wryly naturalistic filmmaking, and Jafar Panahi's The White Balloon (winner of the Camera d'Or award at the 1995 Cannes Film Festival) was the first Iranian film to get a U.S. art-house release. Simple and spare yet filled with observant detail, it's a mild, beguiling movie about a 7-year-old girl's tenacious quest to buy a cherished goldfish for her family's New Year's Day celebration. That's really all there is to it, but it's wonderfully warm, funny, and generous in spirit. With an almost miraculous ability to capture moments and reality unhindered by the presence of a camera and crew, Panahi handles this seemingly trivial story as a child's emotional odyssey, set amidst the daily rhythms of Teheran as a city where kindness and cruelty can be found in close proximity. Anyone interested in international films and filmmakers should give this one high priority on their list of must-see movies. --Jeff Shannon

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