The Thief

The Thief
by Pavel Chukhraj

The Thief
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Product details

Actor: Amaliya Mordvinova, Lidiya Savchenko, Misha Philipchuk, Vladimir Mashkov, Yekaterina Rednikova
Director: Pavel Chukhraj
Edition: VHS Tape
Audio: English (Subtitled); Russian (Original Language), Analog
Format: Color, Dolby, NTSC, Subtitled
Running Time: 92 minutes
Release Date: 2000-01-11
Audience Rating: R (Restricted)
Publisher: Sony Pictures
Studio: Sony Pictures

VHS Movie Reviews of The Thief

Movie Review: Fantastic
Summary: 5 Stars

This is one of the best Russian films I have seen. You will not see a boring movie like our American all-to-predictable endings. On some foreign movies like this you have to watch it more than once to really understand and get the message if you do not understand the native language. After you get it, you'll probably want to watch it a few more times, it is that good.

Movie Review: A Film Well Worth Re-Visiting
Summary: 5 Stars

Pavel Chukhraj's award winning film THE THIEF is one of those special films that should be owned and revisited - like a favorite novel or poem or symphony. Chukhraj both wrote and directed this tale/fable set in Stalinist Russia, a story which encompasses the impact on a child of loss of a father in the war, the appalling living standards in the communes during the 1950s where multiple families and comrades shared space and survived the lack of privacy, and the extents to which people will go to survive what fate has dealt them and the sad sequelae that follow.

The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.

The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp, August 05

Movie Review: beautiful portrait of a land, a nation and a family
Summary: 5 Stars

The Thief is a story of a young boy who learns his lessons in manhood from a tough stepfather with a Stalin tatoo, a supposed military man who is really a thief.

The three principal characters, the mother, stepfather, and son, are very convincingly played.

The scenes of life in Russia in the 1950s, from the communual apartments to the bleak landscapes, are magnificent. And the story of this boy's life is compelling.

It's tragic in the classic Russian tradition, but a mesmerizing story and a nice example of quality modern Russian filmmaking.


Movie Review: One of my all-time favorites
Summary: 4 Stars

This movie is one of my all-time favorites. However, I must say that the last very important scene was deleted in this version of the movie compared to the original Russian version. It is unfortunate since that scene changes the whole moral of the story.

Movie Review: Forget the Kleenex, get a towel
Summary: 5 Stars

The allegory in this film of a Stalin/USSR that the child Sanja must defeat went right over my head. So if you're looking for a deep analysis of the directors' subliminal intentions, I can't help you there. But I can tell you that "The Thief" struck me as the most poignant human drama I've seen since "Gallipolli".

Briefly, a soldier's widow with a young son is won over by Tolya, a striking figure in a Red Army uniform which indeed does gaurd a tattoo of Stalin. Once the widow has learned of Tolya's habitual theft, along with his lack of remorse and empathy for others, she is already caught in his romantic spell. And Sanja, at first terrified of this new man in the family, gradually trusts him more and more. Especially for the innocent child, portrayed in awestruck wonder by Misha Philipchuk, this set-up bodes heartbreak.

And the film does not disappoint in that expectation. This is well visualized when an older Sanja, alone and desperate to find Tolya, stares in disbelief as the latter, finally found, doesn't recognize him and ridicules his salutation of "Daddy"...the very nickname the con-artist had insisted on during their days together.

The most innocent and trusting in this film are prey to those whose only desire is to please themselves....and to use the innocents for that purpose. But except for the child, the "innocent" are not blameless in the scenarios that ensue. Sanja's mother,Katje, sees many signs throughout first scenes of Tolya's true character, in his gruffness and cruelty to others, but she stays with him nonetheless, even to the point of jeapordizing her own life.

The device of using a child's eyes as a window to this tragedy works well in this film, emphasizing the difference between the imagined, idolized Tolyan and the real one: not only in his eyes, but in everyone's. I thoroughly enjoyed the film, although I did use a lot of Kleenex.

DVD Extras: trailer for film, subtitles in French, English & Spanish, scene breakdown.

Summary of The Thief

If you were a widow with a young boy in 1952 Russia, you might take up with a handsome army captain you met on a train. You both would need protection from this post-war world in disarray. And what more solid figure than this officer whose chest proudly displays a tattoo of Stalin? Only the officer is a charismatic but often cruel and despotic thief in disguise named Tolyan (Vladimir Mashkov). And the mother Katia (Ekaterina Rednikova), in love despite herself, and the 6-year-old Sanya (Misha Philipchuk), in wide-eyed adoration and fear, are stuck with a nomadic life that demands they relocate whenever their thief-protector's safety becomes chancy. This is the story as you experience it, told in voiceover years later by the boy, a romantic tale of challenged innocence as revisited by experience. And each frame, hazy and tinted with the erosion of memory, seems permeated with the distance between these two Sanyas.

That's the experiential story. But there's another one that holds up Tolyan as Stalin and the boy as the New Russia that must rid itself of the tyrant, and that story is so pat it seems dispensable. Luckily, director Pavel Chukhraj has an interesting enough visual imagination, and a keen ability to either discover or tease out engaging performances, that you can quietly shut out the easy political allegory. As played by Vladimir Mashkov, Tolyan amply translates to the audience the fascination he holds for young Sanya and his mother. In fact, all three performances hold the eye and the mind, belying any programmatic elements embodied by the allegorical plot. The Thief was a 1998 Academy Award nominee for Best Foreign Language film. --Jim Gay

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