The Making of a Legend: Gone With the Wind [VHS]

The Making of a Legend: Gone With the Wind [VHS]
by David Hinton

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Product details

Actor: Arthur E. Arling, Arthur Fellows, Christopher Plummer, Katherine Brown, L. Jeffrey Selznick
Director: David Hinton
Producer: L. Jeffrey Selznick
Cinematographer: Glenn Roland
Editor: Bobby Jones
Editor: Thomas G. Francell
Producer: Daniel Selznick
Writer: David Thomson
Edition: VHS Tape
Audio: English (Original Language)
Format: Color, NTSC
Running Time: 124 minutes
Release Date: 1998-09-01
Audience Rating: NR (Not Rated)
Publisher: MGM (Video & DVD)
Studio: MGM (Video & DVD)

VHS Movie Reviews of The Making of a Legend: Gone With the Wind [VHS]

Movie Review: Film History
Summary: 5 Stars

This film is superb. I've watched it over and over again. And it's every bit as good as GWTW. I'm sure that David Selznick taught his sons the art of film making and it's obvious. One will only be as good as his teacher. A must for every film buff.
Carolyn Kingsley, author of The Citrus Baron
A family saga of old Florida

Movie Review: The Greatest Documentary Ever Created!
Summary: 5 Stars

This documentary is one of the best making-of documentaries ever produced. The voice re-enactments helped give the documentary details that I heard in only one other documentary but these details were far more interesting. The re-enactment of the first preview of the film was the most stunning. There was even great detail about how the parts of Rhett and Scarlett got cast. The screen tests of Linda Watkins, Frances Dee, Susan Hayward, Joan Bennett, Jean Arthur, Mary Ray, Lana Turner, Vivian Leigh, Paulette Goddard, Margaret Tallichet, and Anita Louise also made the details about the casting more interesting than ever.

Movie Review: wonderful
Summary: 5 Stars

This documentary is both cleverly done and very entertaining. We all know how GWTW turned out but the story of how it was made is fascinating. David O. Selznick was nuts--- mad scientist nuts mixed with Motzart nuts and he just about drove everyone involved mad as well but he made a great movie. Can you imagine Erol Flynn as Rhett or Paulette Godard as Scarlet? Although Flynn was only in the running for the role for the blink of an eye Paulette almost got the role but luckily she lacked ambition and something in Selznick just made him keep on looking for a Scarlet until Vivian Leigh came to America.

This is an exciting story and can be enjoyed either before watching GWTW again or on its own.

Movie Review: Great piece of film
Summary: 5 Stars

This documentary was liking watching a newsreel of the time and the place where the stars were working and promoting this wonderful piece of work. It's historical and quite memorable of the achievement in the film itself which behind the scenes also had its dramatic twist and turns.

Movie Review: Excellent Documentary
Summary: 5 Stars

Everything you ever wanted to know about *GWTW* -- from Margaret Mitchell recalling her mother driving her out to see the ruined plantations around Atlanta, and telling her that she'd better learn to survive, to its historic status as being one of the most beloved movies of all time - even when it's not politically correct to love the movie. It is a documentary combining spoken word, letters, memos, newsclips, diaries and recreations - in a comprehensive style that predates Ken Burns by quite a bit. It is a dizzying montage of information and images that tells the story of the film - a monumental achievement that is one of the few films to not disappoint the lovers of the book. Selznick purchased the rights to the story for $50,000 - a fortune at the time, for a story so sprawling that it was impossible to visualize on the screen. As a superb craftsman, even Selznick was intimidated - not just by the scope of the story, but by the public's obsession with it. So it is with tender care that he began preproduction and scriptwriting on this sacred monster. The footage that we see in the finished version of *GWTW* shows only a small part of the passion, heartache and bloodletting that went on behind the scenes. Most impressive is the existing array of screen tests that were done for the movie - evidence that the much-ballyhooed Search for Scarlett O'Hara was far more than hype from a hotheaded publicist. Showing dozens of would-be Scarletts, Melanies, Ashleys and Belles, the most stunning footage is the multiple and lengthy tests that Paulette Goddard did for the role of Scarlett. She exhibits a cunning and slyness that is perfect for Scarlett, and the newsreports go crazy announcing her unconfirmed appointment. It is the sheer numbers of tests that Goddard did the continually amazing, and she had every reason on earth to believe she had the part. It's easy to see that she would have been delightful as Scarlett, but could she have made Scarlett into the legend that Vivian Leigh did? Fraught with tension, shooting began without Scarlett having been cast. The story behind the filming of the burning of Atlanta is riveting in its detail, showing how old sets from *King Kong* and *Birth of a Nation*, among others, were burned and then multiplied on film to create the effect. It was during the filming of this sequence that Selznick's brother, Myron, legendarily arrived on the set with a gorgeous young woman in tow and said to the producer, "I'd like you to meet your Scarlett." And the film's fate was sealed with the casting of the tragic and incandescent Vivian Leigh. Though Selznick was reviled by Hedda Hopper, among others, for casting an English girl, instead of a red-blooded American, even Margaret Mitchell herself said, "Better and English girl than a Yankee." Goddard had been frontrunner up to the last second when Leigh waltzed in and stole the part from under her nose. It must have been an unbearably bitter disappointment, and Goddard never again realized the potential she showed in these tests. But, it is also only a small facet of what happened behind the scenes. After a time, miles of film were scrapped when original director George Cukor was fired and replaced by Victor Fleming. There's quite a tale behind *that* that neither the documentary, nor we, will go into. The personal dramas are many, with Selznick's drug use, health problems and subsequent breakdown being addressed. The volume of information collected is awesome. From Butterfly McQueen speaking about her role as Prissy ("I wouldn't let them slap me, but I thought Prissy needed to be slapped...I thought she was horrid."), to the footage of Hattie MacDaniel's Academy Award speech that is so sincere and touching that it must be considered a gift that we can still see it. It was a scandal that the movie cost $3,000,000 to make: a jaw-droppingly small figure for a movie that paid for itself many, many times over - and *that's* just in financial terms.

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