The Agony and the Ecstasy
by Carol Reed
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Product details
Actor: Alberto Lupo, Charlton Heston, Diane Cilento, Harry Andrews, Rex HarrisonDirector: Carol Reed
Edition: VHS Tape
Audio: English (Original Language), Analog; Latin (Original Language)
Format: Closed-captioned, Color, HiFi Sound, NTSC
Running Time: 139 minutes
Release Date: 1995-03-01
Audience Rating: NR (Not Rated)
Publisher: 20th Century Fox
Studio: 20th Century Fox
VHS Movie Reviews of The Agony and the Ecstasy
Movie Review: Nearly a Masterpiece
Summary: 5 Stars
An impressive film that should be in any film buff's library. The scenery, acting and story are very well done. Some license is taken with the lives of both Michelangelo and Pope Julius II. However, the acting and exchanges between Heston as Michelangelo and Rex Harrison as Julius II is superb. Introduction to the film provides important views and impressions of the Vatican setting and the spectacular creation of the famous ceiling painted by Michelangelo. A must see film. Movie Review: More Ecstasy Than Agony
Summary: 4 Stars
In the wake of Charlton Heston's death, I decided to have a marathon viewing of his films. I rewatched many of my favorites and sought out some of those I had never seen.
"The Agony and the Ecstasy" was new to me. It's not one of Heston's most famous roles, but it's a well-made film and definitely worth watching. It recounts the turbulent relationship between Michelangelo (Heston) and Pope Julius II (Rex Harrison) during the period when the artist painted his magnificent frescoes on the ceiling of the Sistine Chapel.
Heston plays Michelangelo as the proverbial tortured artist, unable to give his passion to a woman because he invests all of it in his work. Mostly he frets around with his brushes, only roaring to life when aggravated by the pope. Harrison is wonderful as the conniving (and miserly) Julius, who loves art as much as warfare.
The film's running time is 138 minutes, but it feels padded as though the filmmakers were trying to create an epic out of what is really a simple story. The first 12 minutes are a narrated mini-lesson on Michelangelo's greatest works. There are many sequences of Michelangelo painting, priests chanting, and choirs singing. There is even an unnecessary intermission after an hour.
But the heart of the film is the relationship between Michelangelo and the pope. Their scenes together are the most enjoyable. The two leads are good in their roles and, except for some awkward dubbing (apparently some of the actors were speaking Italian), the supporting cast is solid. The script is literate and thoughtful. It explores the importance of art in our lives, and the toll it can claim on those who create it. All in all I would recommend "The Agony and the Ecstasy" to anyone who likes Charlton Heston and big historical films.
Movie Review: agony and the ecstasy
Summary: 5 Stars
great movie and speddy delivery make me want to buy more from the seller Movie Review: It is yours only when I give it to you.......
Summary: 4 Stars
Curious story of what can result when we are pushed beyond our anticipated limits by unusual mentors. Another appropriate title could have been..."The stubborn vs the headstrong" Both lead did a wonderful job of bringing their charactoers from the screen into the living room. Loved this line....."It is yours only when I give it to you."Movie Review: A Classic that will not disappoint
Summary: 5 Stars
The Agony and the Ecstasy is a wonderful adaptation of Irving Stone's book. Heston's portrayal of Michelangelo conveys the attitude of the tempermental artist to perfection, while Harrison's role as Julius II gives a down-to-earth view of the "warrior pope," ending somewhat more sympathetically than one might expect--and probably rightly so. If you like stories dealing with the battle of wills, or if you are a fan of Renaissance hisotry/art/anything, this film is well worth it.
Summary of The Agony and the Ecstasy
Carol Reed (The Third Man) directed this 1965 portrait of the relationship between Michelangelo (Charlton Heston) and Pope Julius II (Rex Harrison), who commissioned the artist to paint the Sistine Chapel ceiling. Based on a novel by Irving Stone, the script plods along, juggling the dynamics between the two men along with a somewhat perfunctory love story and distracting battle sequences. Reed seems more attuned to the nuances and great pains of the artistic process, as seen in sequences of Michelangelo working. But the overall focus of the film is unfortunately fuzzy. --Tom KeoghArt & Artists Video
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