 |
Ragtime [VHS] by Milos Forman
Buy this VHS video movie at online store in your country
Canada
Product detailsActor: Brad Dourif, Elizabeth McGovern, Howard E. Rollins Jr., James Cagney, Moses Gunn Director: Milos Forman Producer: Bernard Williams Producer: Dino De Laurentiis Producer: Fred Sidewater Producer: Michael Hausman Writer: E.L. Doctorow Writer: Heinrich von Kleist Writer: Michael Weller Edition: VHS Tape Audio: English (Unknown) Format: Color, HiFi Sound, NTSC Running Time: 155 minutes Release Date: 1998-01-13 Audience Rating: PG (Parental Guidance Suggested) Publisher: Paramount Studio: Paramount
VHS Movie Reviews of Ragtime [VHS]Movie Review: A Milos Forman Classic Summary: 5 Stars
If you missed seeing "Ragtime" back in 1981, it wasn't your fault because you probably didn't even know it existed. Much like Terry Gilliam's "Adventures of Baron Munchausen", this truly great movie was poorly distributed and miserably publicized and advertised when it was released. This is too bad because both films deserved much better. Anyway...Milos Forman has time and again proven that he is not only one of the world's best directors but also one of the sharpest viewers of American culture and history. "One Flew Over the Cuckoo's Nest", "The People vs. Larry Flint", and, to an extent, "Man on the Moon" have at their core an indictment of American society: its racism, its hypocrisy, its perversity, its corruption, and its insanity. However, Forman is by no means anti-American. In fact, these movies also have at their hearts a deep fascination with America and a yearning to make it better. And like few directors can do, he doesn't create a manifesto disguised as a film. His characters and dialogue are believeable, and his filming is gorgeous to watch. Of all his films--and that includes "Amadeus"--"Ragtime" is perhaps his best, in my opinion. Its complex narratives are logically, fluidly and masterfully meshed together. But what I find fascinating about the movie is that all the complicated, volatile emotional reactions the characters experience--sometimes ending in violence--all start from simple wants. Coalhouse Walker, Jr. (powerfully played by the late Howard Rollins) wants the racists who vandalized his car to repair it. Harry Thaw (played by the underrated Robert Joy) is an erratic millionaire who simply wants a nude statue of his wife taken out of public view. A father (movingly played James Olson) simply wants to keep his family together. His brother-in-law (Brad Dourif in an extraordinary performance) simply wants the girl he loves to love him back. And a Jewish immigrant (a wonderfully manic Mandy Patinkin) simply wants to make it in America. It's when all these desires collide that the fireworks of "Ragtime" begin. And like the great American tradition of 4th of July fireworks, "Ragtime" is dazzling to watch.
More Ragtime [VHS] reviews: 1 2 3 4
Summary of Ragtime [VHS]Fact and fiction intertwine in Milos Forman's colorful kaleidoscope of E.L. Doctorow's sprawling novel of turn-of-the-century America. Anchored in the true story of the murder of architect Stanford White (Norman Mailer) by Harry Thaw (Robert Joy) over the affections of his wife Evelyn Nesbit (Elizabeth McGovern), Forman weaves a portrait of early 1900s America in a tapestry of intertwining fictional tales. The primary thread involves the proud black pianist Coalhouse Walker Jr. (Howard Rollins) and his demand for justice when a racist fireman destroys his automobile, which escalates into a reign of terror by Walker and a band of revolutionaries. A secondary story involves an ambitious immigrant artist (Mandy Patinkin) whose primitive flipbooks send him on the road to creating early cinema. Centering all of these stories in one way or another is an upper-class family known simply as Father (James Olson), Mother (Mary Steenburgen), and Younger Brother (Brad Dourif). James Cagney came out of a twenty-year retirement to play the irascible Irish police commissioner, a character created for the film. Forman's biggest departure from Doctorow's novel, however, is his focus on Walker's story, cutting away the other threads to little more than asides in the final half of the picture, the primary dramatic weakness of an otherwise rich evocation of America's past. Randy Newman's lyrical score and Miroslav Ondricek's understated cinematography earned two of the film's eight Academy Awards nominations --Sean Axmaker
|
 |
|
|
|