Messenger: The Story of Joan of Arc (Spanish)
by Luc Besson
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Product details
Actor: Dustin Hoffman, Faye Dunaway, John Malkovich, Milla Jovovich, Tch?ky KaryoDirector: Luc Besson
Edition: VHS Tape
Audio: Spanish (Subtitled); English (Original Language), Analog
Format: Color, Dolby, NTSC
Running Time: 148 minutes
Release Date: 2000-09-05
Audience Rating: R (Restricted)
Publisher: Sony Pictures
Studio: Sony Pictures
VHS Movie Reviews of Messenger: The Story of Joan of Arc (Spanish)
Movie Review: Definately worth watching movie
Summary: 3 Stars
Milla Jovovich, personally, is an actress I like a lot, so my review is slanted right from the start. But the movie is really well filmed, in my opinion. Excellent war scenes with medieval war devices seldom seen in any other movie. A number of the aspects of warfare and armaments in The
Messenger were portrayed quite accurately and a few military historians, including Kelly DeVries, have commented on such. It had great visuals, in my opinion very good acting on everyone's part. Milla Jovovich's acting was superb in my opinion, and why the knee jerk negativity from people parroting everyone else saying "she's a model, she can't act" is just too lemming like to avoid being sadly humorous. I've watched it three times over the last few years and I own the DVD. Very good cast. The general and his troops were excellent. It's so typical of French history, too, lose most of your battles, finally find someone who leads you to victory, and then betray her and let your enemy burn her at the stake. I think at least a few of the negative reviews are from French apologists.
Movie Review: Horrible and Inaccurate
Summary: 1 Stars
This movie is historically inaccurate in so many ways. I wouldn't even give it one star unless Amazon made that little a requirement of the rating process. Not only does Joan not have a sister (who is VERY brually murdered in this film), but the prince is far too old.
They also make her look like an insane heretic who is quite possibly in league with the Devil. Then, they have her kill in this film. According to legend, she led an army, but never took a life. She was a standard bearer, but not a soldier.
This is a horrid portrayal of Joan of Arc and possibly written and directed by someone/several people without a soul(s). She looks like a lunatic.
Movie Review: An entertaining movie with an unfortunate message
Summary: 3 Stars
For such a historical figure, I expected a bit more coming into the movie. Don't get me wrong, I loved the movie simply because of the story, the action, and the time-period. Unfortunately, however, Joan of Arc - the catalyst for legendary events in French history, the end of a war, and the first person anyone thinks of when there is even the slightest mentioning of burning at the stake - really deserves more.
First, the positive aspects of this movie probably outweigh the bad. The scenery, style, and medieval genre is represented well. The film has a very powerful feel, and properly displays how thoughts, beliefs, and energy can be controlled and swayed by the power of religion. Such greatness has been accomplished through religion, but this film also shows the gritty realism of widespread death that has been brought about from religious intolerance.
The bad, however, is two-fold: acting and influence.
Joan of Arc was probably not a hyperventilating, over-reacting, deranged, incompetent military leader. If I were French I would hate this movie. It basically paints Joan of Arc as a vindictive, revenge-driven, screaming harpy. The fact that Milla Jovavich seems to have read an "Acting for Dummies" book written by Jim Carey - where facial contortions and eyeball bulging trump conveyance of emotion through acting - definitely didn't help either.
Whereas Joan of Arc was tried for heresy, to me the people who made this movie should be charged with something similar. There is nearly no mention of Joan's military prowess, her benevolence, or her true religious devotion. The fact that there is almost an insinuation that she was speaking to the devil, rather than Jesus, is almost blasphemous.
There's also the character I like to call "Creepy Jesus". It's almost as if everyone involved really wanted to show religion as an ugly part of humanity, the possibility of visions being realistic or divine, or that there is inherent value in religion. There could not have been a weirder actor chosen for the character of Jesus, and there surely couldn't have been a more negative portrayal of religion.
The Messenger covers most of the historical details decent enough, entertains the audience quite well, but it's just painfully obvious that the director was interested in psychoanalysis of Joan, her actions, her visions, and religion in general.
Movie Review: not perfect...but still great
Summary: 4 Stars
this movie has a totally warped view of joan of arc...not inaccurate...but still strange. the action is top notch, and the story-telling is amazing, but this cannot break free of it's anti-religious creaters. this is a great movie...but not everyone will think so.Movie Review: Discovering A Three-Hour Oscar-Worthy Epic : Five Stars
Summary: 5 Stars
One of the greatest motion pictures of all time.
Luc Besson achieved directorial greatness more than once, but this film is the peak of his creative vision and success. Casting Ukrainian supermodel Milla Jovovich was a controversial idea at the time, but Besson managed to extract a nuanced performance from her - a feat, considering she is in virtually every frame of this 3-hour epic. To me, this is the greatest `war hero' film ever made - yes, even better than "Braveheart", "Alexander", or "Saving Private Ryan". In fact, the superiority of this motion picture far eclipses the achievements garnered by those films.
People often forget that Joan of Arc is one legendary hero about whom there exists indisputable historical evidence, in form of her court deposition (try to find the transcripts online). Even as a teenager she was remarkably mature and well-spoken for her age, and even if God did or not speak to her, her intelligence and political acumen at that young age is quite impressive.
The movie is awash in bright colors - the opening shots of the child Jean skipping down her childhood hills of Orleans are quite simply, stunning. Equally enthralling are her visions of `Jesus on the throne' as well as the extended sequence ten minutes into the film where Jean is chased by a pack of wolves, culminating in her discovery of the entire village being torched. If there is one downside to the film, it is that it depicts the English as overly boorish and immoral, while the French are noticeably better looking and far more civilized. Whether this is historically accurate or not, I do not know, but the portrayals of these two sects are quite distracting.
At centerstage is Milla Jovovich. This woman was never a great actress. In fact, I knew her more through her musical work (check out her solo album from 1994 "The Divine Comedy") than her movie roles. But despite her current success with the Resident Evil series, its obvious that Milla gave this film her all - lending her role with such an aura of vulnerability and authenticity that she virtually becomes Jean through the course of the film.
I also liked this movie due to its' non-dependence on fact, and its reliance upon various schools of thought. For example, the question of whether God told Jean to lead France to victory is never totally justified. In fact, her `conscience' (played towards the end of the film by Dustin Hoffman) does a fine job in ripping up Jean's ego and exposing her as a scheming egomaniac who had her own self-esteem issues to address, rather than any form of probably divinity. Again, this is alluded to, not stated as fact. In doing so, Besson opens new doors of possible thinking for the audience, and the director presents these alternate realities before us with rare tenderness that has often escaped in the past.
Standout scenes include Jean's trial. Milla's gradual transformation of Jean from a passionate female warrior to a helpless peasant girl behind bars is done in spectacular fashion. In real life, Jean was raped repeatedly by her guards and often appeared at her court trials bleeding and totally disoriented due to her abuse. The film isn't quite so graphic in its' exploration, but it does speak of the various issues she faced behind bars. Of equal importance is how France completely sold her out, and how the country she so fondly fought for, couldn't care less about her execution.
The last ten minutes of the film are the most poignant, as Jean is offered to lower her principles so that she can escape being burnt at the stake as a heretic. Milla brings such an award-worthy performance to the table here as her mind, her conscience and her rapidly deteriorating sense of self lead her to make some very forced and confused decisions and by the time politics intervenes and finally hands her the most twisted judgement, its evident that Jean has suffered both a moral and spiritual breakdown. The final scene, of Jean gazing at a cross while being burnt alive, answers the most burning question posed by modern theology - will God be present at the time of your death? The movie does not address this, but again, presents it to us as an issue to think about.
I think the most fascinating thing about this film is that Jean of Arc was a real person, and about 60% of what she faced in real life is not even mentioned in the movie. Jean's parents, for example were totally involved in her life until the very end, but in the movie they do not make an appearance anywhere in her adult life.
There are few films in which everything just WORKS - and this is a prime example of it. It has long been on my Top 10 list of All Time Greatest Films, and it's a pity to see that in this day and age, it still hasn't developed the cult fan following it so obviously deserves. A superb slice of American technology meeting European Cinematography, "The Messenger" is a towering achievement that remains actress Milla Jovovich's most inspired work to date. Personally I thought she deserved the Oscar for this, as she holds our attention most rivetingly for three hours, but that's art for you.
Highly Recommended. Buy this today.
Summary of Messenger: The Story of Joan of Arc (Spanish)
1999 may be remembered as the year of Joan of Arc: NBC created a miniseries in her honor, Carl Dreyer's long-lost The Passion of Joan of Arc was discovered in a mental hospital, and Facets re-released Jacques Rivette's Joan the Maid. Luc Besson rounds out the corpus with his stylistic and vaguely heretical grand-scale feature, The Messenger: The Story of Joan of Arc.Besson (La Femme Nikita, The Fifth Element) challenges established notions about the Maid of Orleans as he creates a decidedly more human heroine than have previous biopics. The story line is the same--a young, illiterate peasant girl convinces the dauphin of France to give her an army, and she leads them to victory in Orleans, only to be burned at the stake for heresy--but Milla Jovovich, in the title role, is a woman possessed. Her influences are less than heavenly; as a child she witnesses the murder of her sister by the English, a death caused by the sister's giving her hiding place to young Joan, which causes an intense desire for revenge. Yes, God still speaks to Joan, but even this is undermined, as Dustin Hoffman, playing The Conscience, questions her motives.
Cinematically, The Messenger is stunning, with fantastical sequences of Joan in communication with higher powers. Yet the graphic violence (scenes include random decapitation and a dog gnawing on a body); the uneven accents, which make it difficult to tell who is fighting on which side; and the rewriting of lore may make this version of Joan of Arc appeal only to Besson fans. Jovovich is convincing, and while at times the film may drag (at times you wish they'd hurry up and burn her), it is a remarkable and insightful retelling of a well-known piece of history. --Jenny Brown
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