Mary of Scotland
by Leslie Goodwins, John Ford

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VHS Movie Reviews of Mary of Scotland

Movie Review: a little slow but still really good
Summary: 5 Stars

Movie Review: Lavish historical drama!
Summary: 5 Stars

Movie Review: Katharine Heburn as Mary, Mary, quite contrary
Summary: 4 Stars

Directed by John Ford, this costume drama begins in 1561 when Mary Staurt returned to Scotland from France as the Queen of the Scots. Elizabeth Tudor (Florence Eldridge), Queen of England, feared the threat that the Catholic Stuarts presented to the English throne. Consequently, "Mary of Scotland" is a story of political brinkmanship during the Elizabethan period. Mary tries to strengthen her position by marrying the weak Darnley (Douglas Walton), and putting Bothwell in the position of being her protector. She gives birth to a son James (later King James VI of Scotland and King James I of Great Britain), but Darnley betrays her to the Scottish chiefs in an effort to rule the kingdom and is killed. Mary's marriage to Bothwell inflames the Scots even more. Bothwell leaves the country and Mary is imprisoned by the Scottish lords. Smuggled out of prision, Mary flees to England and seeks sanctuary from Elizabeth.

"Mary of Scotland" is based on Maxwell Anderson's play, which had Helen Hayes in the title role on Broadway, although the original blank verse is eliminated by Dudley Nichols's script. The chief attraction of this bio pic is the final confrontation between Mary her cousin Elizabeth. Anderson is one of several dramatists who could not accept the historical fact that the two queens never met, simply because the idea of that confrontation is too good to give up. Under Ford's direction the film is much more about spectacle than history, and there is a nice scene when Bothwell brings in a horde of bagpipes to drown out the religious rants of John Knox (Moroni Olson). Many scenes are shot at night, to provide a somber tone to the story of Mary's descent and death.

Hepburn has some trouble with the Scottish accent, as she would throughout her career whenever she tried to do something that covered up her distinctive speaking voice. However, it is the very idea of being a hapless queen that runs against the very persona of Hepburn as an independent woman. If you contrast the performance and the character from this film with her celebrated Oscar winning role as Eleanor of Aquitaine in "The Lion in Winter," you can easily see the differences on both scores. This is the most lavish of the costume dramas Hepburn did for RKO, as well as the most historical, despite the noted attempts at dramatic license. The result is okay, but not great, which is what you would expect from a film that brought Ford, Hepburn, and March together.

Movie Review: STORYBOOK HISTORICAL SAGA.
Summary: 3 Stars

Movie Review: In Some Ways, Better than Vanessa's Movie
Summary: 3 Stars

I was somewhat pleasantly surprised by this movie; in no way would I consider it as much of a dog as that documentary would have it. Hepburn is young and fresh--I liked her Mary much better than Vanessa Redgrave's in "Mary Queen of Scots" thirty-some-odd years later. This Mary is a match for those attempting to dominate her, whereas Vanessa's was always something of a weak sister. Like one of the other reviewers, I also found John Carradine's ill-fated Riccio to be a good characterization--what a woebegone love song he sings to the young queen.

Dislikes? Weird staging is a little too stark for my tastes. This is clearly the same John Ford who made "The Informer" a year earlier. How did he break through and develop his other style, I'd like to know. Another discordant note for me was Frederic March; I particularly was puzzled by a scene when he's warming himself by a hearthside, but appears to have lifted up his kilt to relieve himself into the fireplace. I can't imagine that's really what was happening, but look for yourself.

So, feel free to fling yourself into an easychair to see how Kate serves up Mary.

Classics Video

• Genres > Drama
• Drama - General