Homicide Life on the Street: Subway

Homicide Life on the Street: Subway
by Clark Johnson, Jace Alexander, Joe Berlinger, Lee Bonner, Martin Campbell

Homicide Life on the Street: Subway
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Product details

Actor: Clark Johnson
Director: Clark Johnson, Jace Alexander, Joe Berlinger, Lee Bonner, Martin Campbell
Edition: VHS Tape
Audio: English (Original Language), Analog
Format: Closed-captioned, Color, NTSC
Running Time: 117 minutes
Release Date: 2000-02-22
Audience Rating: NR (Not Rated)
Publisher: Vidmark / Trimark
Studio: Vidmark / Trimark

VHS Movie Reviews of Homicide Life on the Street: Subway

Movie Review: Stunning Work!
Summary: 5 Stars

This is extraordinary acting - vincent D'Onofrio, Andre Braugher (always fabulous in this series) and the other great "Homicide" cast - but this story is amazing. Seemed almost more like a stage production than film/television. I saw the story as a metaphor - life, death, the meaning, the randomness versus design of it all, responsibility/lack thereof, the train....all of it. Extremely powerful in every way. Original, powerful, brilliant work.

Movie Review: An episode worthy of inclusion in anyone's video library!
Summary: 5 Stars

"Homicide: Life on the Streets" was always a favorite of the critics, but it never garnered the ratings success that it so fittingly deserved. Featuring one of the most gifted ensemble casts ever put together (especially the brilliant Andre Braugher with exemplary support from Yaphet Kotto, Kyle Secor and Clark Johnson), "Homicide" should still be on NBC's schedule, right there with the respective "Law & Order's" and "ER".

If one episode clearly exemplifies the intensity and the quality of the series' writing, as well as the skills of the actors, it is "Subway". Braugher gets to run the gamut of his emotions as he deals with the hopeless situation of guest star Vincent D'onofrio, also giving an award winning turn as the trapped commuter.

The episode is a nail-biter and a prime example of what television should be.


Movie Review: Most compelling dramatic anything I've ever seen
Summary: 5 Stars

I have never had such a visceral reaction to any piece of drama, live or on big screen or small.

I'd long been a Homicide fan, so I was well aware of Andre Braugher's skill, but Vincent D'Onofrio's performance was a revelation. His character is Everyschmuck, the Bud Lite-swilling blowhard found in any bar on any Saturday night, under-tipping the bartender and copping a feel from the cocktail waitress.

But as he slowly discovers his fate, he strips away his schmuckness in layers, like an onion, with Braugher's Pembleton as Father Confessor and keeper of the knowledge that he is doomed. Together they reveal the character's essential humanity and vulnerability.

Pembleton is our surrogate, I think, because he doesn't like this guy much either, but goes in to do his job, and is eventually touched by him, as we are.

My words are feeble. Just see it.


Movie Review: Possibly the best hour of television ever!
Summary: 5 Stars

Could this be the best hour of television ever? Who was it at NBC that had the balls yet was so lacking in brains as to cancel this show? This episode alone should have been enough to keep this show running forever. What writer/producer James Yoshimura, director Gary Fleder, and actors Kyle Secor, Andre Bragher and guest star Vincent D'Onofrio do together is create what is quite possibly the best hour of television ever produced. With all the (deserved) hype flying around THE SOPRANOS, SIX FEET UNDER, SEX AND THE CITY, and OZ (also created by Tom Fontana), it is easy to forget that every once in a while network television stumbles on to something good (a MIAMI VICE, a SEINFELD)... and in this case, it may just be the best ever.

Movie Review: One of the most amazing hours I've ever witnessed
Summary: 5 Stars

One of Homicide's best episodes, "The Accident" or "Subway Show," premiered during its creative low point. Like a lot of Homicide fans, I wasn't happy with the direction the series took in its final two seasons. I won't rehash the typical complaints other than to say that, even during that time, the show was still one of the greatest in television history whenever it forgot about its new "supercops" and focused on the fiery, iconic Detective Frank Pembleton. Pembleton was a rarity -- a believable human being who seemed, at times, to speak with the voice of God. He gave the show's grim proceedings a much needed moral compass. One knew that as long as Pembleton was walking the streets, then the darkness erupting all around wouldn't be allowed to envelop the world.

In "The Subway," Pembleton literally becomes, if not God, then perhaps the equivalent of St. Peter. When a commuter (brilliantly played by Vincent D'Onofrio) is pushed in front of a moving train, the unfortunate man finds himself literally hanging between life and death. Suspended between the train and the platform, he is questioned by Pembleton concerning who might have pushed him. But if this sounds like a gimmick, then be aware that this show deals with so much more. During their conversation, D'Onofrio and Pembleton confront the issues of life, death, fate, and faith that fueled the show since its premiere -- issues that many fans correctly felt the show had mistakenly moved away from during the final two seasons. Pembleton becomes almost a father confessor for D'Onofrio. Perhaps most arrestingly (for me at least), is that D'Onofrio's victim isn't presented in an extremely sympathetic light. While other shows would have idealized him, Homicide makes it victim out to be a self-centered, vain jerk. He is a man forced to confront the whole of his still young life in one hour and for him, that subway platform becomes his purgatory. Not what you'd typically expect to see on television and one of the main reasons why I've always thought of this show as Homicide's proper swan song.

As for the documentary included with the video, its a fun watch and definitely will be enjoyable to any true Homicide fan. However, even if the tape was composed only of this episode, it would be a must have for anyone serious about how television can truly create a work of art.

Summary of Homicide Life on the Street: Subway

"The Subway" became the most celebrated episode of the sixth season of Homicide: Life on the Street. A showcase for Andre Braugher's Frank Pembleton, the squad's tetchy, intense, brilliant detective, it takes place almost entirely in the subway and focuses on the relationship between Pembleton and the dying victim of a gruesome subway platform accident (guest star Vincent D'Onofrio), who's not expected to live out the hour. It garnered lavish praise from TV critics across the U.S., earned two Emmy nominations (including one for D'Onofrio), and won the prestigious Peabody Award for excellence in broadcasting. Little did documentary director Theodore Bogosian know what was in store when he began his made-for-public TV special Anatomy of a Homicide, a detailed look at the creation of the episode from idea through script and production to broadcast. You get it all: script conferences, location scouting, special-effects challenges (how do you portray a man convincingly trapped by a tram and twisted like taffy?), the clip from the HBO series Taxicab Confessions that inspired the story, and a privileged look at network politics. It's an inspired pairing for the video debut of the series, a fine introduction for new viewers, and the equivalent of a coffee-table video album for the faithful. --Sean Axmaker

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