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Duel by Steven Spielberg
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Product detailsActor: Charles Seel, Dennis Weaver, Eddie Firestone, Gene Dynarski, Tim Herbert Director: Steven Spielberg Edition: VHS Tape Audio: English (Original Language), Analog Format: Closed-captioned, Color, NTSC Running Time: 91 minutes Release Date: 1995-01-17 Audience Rating: PG (Parental Guidance Suggested) Publisher: Universal Studios Studio: Universal Studios
VHS Movie Reviews of DuelMovie Review: I generally despise Spielberg's pap, but this one's a gem! Summary: 5 Stars"Duel" is one of those ABC Movie of the Week standards from the 1970's (along with "Killdozer") that had a tremendous impact on us as impressionable kids. A true gem of a film, intense from start to finish yet suitable for family viewing, one that has stood the test of time despite some of the dated 70's era material. As is typical of Spielberg films, there are a few inexcusable filming errors - watch for the incredible disappearing crossing arm at the railroad crossing - but for the most part you won't notice them unless you're a stickler for film perfection.
I'm somewhat suprised no one has attempted a remake - even with cell phones and GPS one could incorporate dead zones and GPS errors into the plot to keep the sense of isolation intact. I'd change the car to a hybrid (yellow of course, with an "Oil is Evil" bumper sticker or something to that effect), and the David Mann character to one of those obnoxious "greenie" types who ultimately transforms from wimp into a real man by the end of the film. Oh wait, they already did that in the remake of "The Hills Have Eyes"! Oh well!
Movie Review: "SEMI-Tough" Summary: 5 StarsTo my mind the best thing Spielberg has ever done. This movie strikes a cord in the heart of everyman. Have we all not had a semi breathing down our necks on a freeway, interstate or elsewhere? They could not stop if they had to and we would be a greasespot on the road. Dennis Weaver is great as the unsophisticated salesman that is terrorized by this demon. You feel the truck is driving itself, pre-programmed as you never see a driver at all, just feel the evil bearing down. Spielberg works hard to build the tension perfectly in this movie. We witness the roller-coaster emotions of Weaver as he has gotten rid of him, then realizes he is still there, gets rid of him again, and he is back. The noise of the 450 Cummings (?) and the irritation of the horn, the air brakes, the rear-view mirror images of the monster. A thrilling movie.
Movie Review: Most under rated movie of all time Summary: 5 StarsI watched this movie for the first time about a year ago and was astounded at how well written and acted it is.
It kept me on the edge on my seat !!
What a great movie for the mid 1970s and made for TV !
It is in my top 10 favorites
Movie Review: Duel Summary: 5 StarsThis movie is a great old movie. It is very difficult to find where I live. I would recommend this movie to anyone who likes suspense movies.
Movie Review: "Best TV Movie Ever!" Summary: 5 Stars Steven Speilberg made his mark on Hollywood with "Duel", which was his first ever full length movie. Originally airing on ABC as a Movie of the Week, "Duel" deals with a man, played by Dennis Weaver, who is driving on the highway and is terrorized by a madman driving a full-ton truck. A very suspenceful film, the direction is the best of any film made for television. This was the film that made producers realize how talented Speilberg was, and he was ultimately offered big screen films like "Jaws". The DVD is exceptional with a wonderful interview with Steven and the making of this classic. The film is fully restored and comes in full screen, as was the standard for movies made for television back in the early '70's. The running time is 90 minutes.
Summary of DuelThis is the TV movie that put Steven Spielberg on the map, shortly before he made The Sugarland Express. Working from a script by Richard Matheson, the film stars Dennis Weaver as a mild-mannered traveling salesman who unintentionally angers the driver of a semi truck. Suddenly, the truck is not only riding his tail but trying to run him off the road. No matter what he does (pulling over, stopping at a diner, calling the cops), he can't get rid of it. Spielberg makes the wise decision of never showing the driver, even as he cranks the voltage on the film's suspense elements. As a result, the truck itself takes on an air of satanic menace--even a personality of sorts--as it seems to hunt its human prey. Spielberg made a lot out of a little, suggesting just how skilled a storyteller he would become. --Marshall Fine
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