... And God Created Woman
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Product details
Actor: Brigitte Bardot, Isabelle Corey, Jacques Ciron, Leopoldo Franc?s, Paul FaivrePrimary Contributor: Brigitte Bardot
Primary Contributor: Curd J?rgens
Edition: VHS Tape
Audio: English (Subtitled); French (Original Language), Analog
Format: Color, Letterboxed, NTSC, Original recording reissued, Original recording remastered, Special Edition, Subtitled, Widescreen
Running Time: 90 minutes
Release Date: 1999-11-16
Audience Rating: PG (Parental Guidance Suggested)
Publisher: Criterion Collection, The
Studio: Criterion Collection, The
VHS Movie Reviews of ... And God Created Woman
Movie Review: Good but not for the reason you think it will be
Summary: 4 Stars
I purchased this to examine what was supposed to be a ground breaking film. It is always assumed that Bardot was just a sex kitten when it was scandolous to be one, however, the story line is clever, unpredictable, and would have been fabulous except for the obvious censorship that took away some of the sizzle that the director intended. Well worth the price.Movie Review: Lively, Sexy, Spunky entry of women in sex roles. A classic
Summary: 4 Stars
This film is a classic in that the door was opened for women to perfom in vamp-tramp settings with some nudity and lots of spunky fun. Bridget is a deliciously sexy, loose, untamable, pouting young lady who disobeys her parents. At the same time she steals the heart of a rich older man who wants sex without marriage initially. She is coy. The oldest brother of
a local family propositions her, claiming he'll take her away to stay always together. Yet she hears him boast that his plans are just for a one night stand. Her parents get ready to return her to the orphanage, being still not quite of legal age. A younger brother and shy guy asks her to marry him. The wedding bells ring while many on the side wonder when she'll dump him. Yet she tries to be a good wife, introducing him into the pleasures of marital sex. Still having a wild spirit, she takes a boat into the harbor and it catches fire. The older brother rescues her and soaking wet, they have sex on the sand under a tree. She becomes
confused and starts drinking, then finds a lively band and begins dancing
up a red hot storm. The older guy tries to get her away offering marriage.
The older brother tries to stop her wild dancing. The husband comes in to and is appalled. Yet he is deeply in love. But there is only so much that can be done to save their marriage. Can it be done? What is his magic?
The ending scenes say a lot. But I found the movie to end without some
closure. Yet maybe this is the trick. Imagine if the movie were made today. Instead of one quick shot of her nude backside, breasts would be
shown in close detail & she wouldn't wear undies while wildly dancing.
But this movie is a trail blazer. Bridgette walking along swaying her
hips wearing only loose dress: Breathtaking. Sheer temptation. Enjoy.
Movie Review: This is the first film for Bardo & one of the famousof her movies.
Summary: 5 Stars
I like to own many & famous films from the past , I think it's much better than now , noboby like: Doris Day , Lana Turner , Bette Davis & othersMovie Review: But where's Isabel?
Summary: 3 Stars
I only saw this film because I learned that Isabel Corey (the beauty discovered by Jean-Pierre Melville and displayed in BOB LE FLAMBEUR) was in it. But director Roger Vadim probably feared the competition she presented to his wife, Brigitte Bardot, and kept Corey at a distance, or off-screen or in indistinct profile. I'd prefer Isabel to Brigitte any day.
Which is not to say that Brigitte lacked appeal. She had a pouty cuteness. She was a force of nature and that trumped her meager acting skills. Similar to Marilyn Monroe, whose acting was better when she sang, Brigitte blossomed when she danced -- which she does beautifully towards the end of this film.
The story is slightly less vacuous then I expected. There's a honesty about this over-sexed teenager with slippery clothes who yearns for a young man -- while being lusted after by an older man -- who manipulates her into marrying the young man's brother. To those who've known a girl like that, it all rings true.
I was surprised to find this film in color. And how beautiful St Tropez was made to look by director Roger Vadim. He must have loved the French seacoast as much as he loved Bardot.
In sum: beautiful scenery -- Bardot, in heat and at various stages of undress -- and a story about the effects of a lusty woman. What more could a man ask for? Well...he could ask for lotsa closeups of Isabel.
Movie Review: Maybe I wanted a friend
Summary: 4 Stars
Director: Roger Vadim
Duration: 92 minutes
Being that I have been delving into French New Wave films of the 1960s for the past few months, I figured that it was time for me to watch a film staring one of the key actresses of the period: the blonde, statuesque Brigitte Bardot. Before watching "...and God created woman," the only film in which I had seen Bardot was Jean-Luc Godard's Masculin feminin (1966). However, her presence was quite magnetic, so I was quite curious to see why her star rose to the top in the realm of French cinema.
In Vadim's debut film, Bardot stars as Juliette an eighteen year old orphan who has been taken into foster care by an elderly couple. However, she is a bit less than "grateful." Instead of doing her best to please her benefactors, Juliette spends most of her time lazing about, eating, shopping, and sunbathing in the nude. However, her main from of entertainment is men and with two men in particular: the rich and older Eric Carradine and the poorer but handsome Antoine Tardieu. Carradine, because of his great wealth, generally tries to win the affection of Juliette through a number of gifts, but the young girl's heart truly belongs to Antoine. Yet, after she overhears Antoine, who has just asked her to run away with him, that he intends to only have her for one night and then dump her, she runs back to Carradine, but her heart won't let her give herself to him. She then goes back to Antoine, but refuses to stay with him the night. Her late night revelry gets her in trouble with her foster mother who intends to send her back to the orphanage where she would remain until she turned twenty one (yikes!).
However, there is a solution to keep Juliette in town and that is either to adopt her or marry her. Carradine is out of the question because of his shady past and Antoine does not consider the girl to be worth marrying, however, his younger brother Michel is also interested in her and asks Juliette to marry him. Yet, can the little nymph Juliette remain faithful to Michel a man who she does not hold real feelings for?
Without going in to too much detail about more important elements of the film, the film delves into the different standards held in society for men and women. Antoine was determined to sleep with Juliette early in the film and his friends agree with him that she is not worth marrying but is worth the pursuit for sex. However, Juliette, who might be a bit more promiscuous than average women in the town is labeled a whore, etc. and when situations escalate beyond comfort level. While not a spectacular film by any means, "...and God created woman" is well worth a watch.
Summary of ... And God Created Woman
Proving that French films could be big box office hits in the U.S. by grossing over $4 million, And God Created Woman casts sexual icon Brigitte Bardot (Une Parisienne, The Night Heaven Fell), as Juliette, the 18 year old orphan with an unbRoger Vadim's directorial debut is more titillation than continental cool, but it broke box-office records and censorship taboos in its teasing display of sex and eroticism in the sunny vacation playground of the Saint-Tropez seashore. Vadim ushered in the era of continental attitudes toward sex and christened the voluptuous Brigitte Bardot (his wife) the world's original sex kitten: earthy, innocent, and all fleshy curves. Bardot is Juliette, a pouty child-woman orphan prone to nude sunbathing and playful flirting. Though pursued by a rich widower (Curt Jurgens) and attracted to the brawny fisherman Antoine (Christian Marquand), she marries Antoine's shy younger brother Michel (Jean-Louis Trintignant), an earnest, innocent kid hardly older than she but far less worldly. Despite her sincere efforts to "be good," Juliette gives in to Michel's advances, setting off a chain of events that ends in fraternal conflict. Vadim keeps the display of skin this side of an R rating, but only barely, teasing the male audience with skimpy outfits, barely concealing sheets, and often conveniently arranged scenery. Bohemian Bardot frolics through the film with nary a self-conscious moment, culminating in a passionate mambo, her pent-up frustration and sexual confusion exploding in a mad dance as bongos pound away on the soundtrack. Who needed Viagra in the '50s when Bardot was around? --Sean Axmaker
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